An unheralded gem that fell through the cracks during its initial issue in 1985 and definitely deserved its higher Bullseye Blues profile six years later. Except for a stinging cover of Detroit Junior's "Money Tree" that leads off, Smitty wrote the entire disc, and it's typically singular stuff: a paranoid "The Man Wants Me Dead," a promise to "Live On and Sing the Blues," all solidly backed by a sympathetic combo.
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